fb-pixelKitchen design ideas: window bench, dark counters and cabinets Skip to main content
Style Watch

This Cambridge kitchen design draws inspiration from the 1970s

The design team started by picking the dark color palette for the cabinets and counters, then built out the design from there.

In this Cambridge kitchen, the cabinetry by Walter Lane Cabinet Makers is painted Benjamin Moore’s Stonecutter, an off-black, for a tone-on-tone pairing with black soapstone countertops.sabrina cole quinn photo

“I’m a fan of 1970s architecture with an experimental vibe,” Louise Goff, principal of Louise M. Smith Design, says. She’s inspired by the types of projects her architecture professors built during the summer terms — often weekend homes in Vermont. “You saw a lot of circle pulls,” she adds. Such cutouts informed those in the kitchen she designed in this Cambridge townhouse. The clients, a creative couple with two kids, favor a mix of midcentury and Scandinavian design that is a bit more rough than refined. “They like a modern, natural vibe; nothing bling-y,” she says. “Soapstone, tiles from Heath Ceramics, and a connection to the outdoors were easy decisions.”

1 Cabinetry by Walter Lane Cabinet Makers is painted Benjamin Moore’s Stonecutter, an off-black, for a tone-on-tone pairing with black soapstone countertops. “We settled on a dark palette early on, then built out from there,” Goff says.

2 While the backsplash with crisp, dark grout lines is quite graphic, the handmade tiles from Heath Ceramics have a natural feel with imperfect edges and clay peeking through the glaze. “When you’re in the space you sense the warmth of it,” the architect says.

3 The shelves are made from plywood with exposed edges. “The wood didn’t need to be reclaimed from an old barn,” she says. “This look is more utilitarian.” The white oak floorboards, however, have knotty character.

4 The appliances disappear, as does the painted wood hood. “It’s easier to get into a wood enclosure than a plaster one if you have to deal with mechanicals,” Goff shares.

5 A new window pulls in light and greenery and helped create an asymmetric but balanced composition. It also offered an obvious end point for the backsplash. “Sometimes I tile to the ceiling, but this would’ve been too busy,” Goff explains.

Advertisement



6 A bench for lounging and reading was a must-have as the kitchen, which opens to the side garden, is a primary gathering spot. Cedar & Moss sconces and storage add function while throw pillows, including one from Abroad Modern in Cambridge, provide color, texture, and comfort.


Marni Elyse Katz is a contributing editor to the Globe Magazine. Follow her on Instagram @StyleCarrot. Send comments to magazine@globe.com.