The singer and composer’s wondrous fourth album deepens the sound of her boundless folk-jazz style. Its gestures are bold, romantic, and often unforgettable.
After 2022’s stripped-back Sewaside II, the Montreal rapper-producer opts for stranger beats, a packed guest list, and what sound like real instruments to balance his beguiling sample flips.
For the first time in 14 years, Perry Farrell, guitarist Dave Navarro, drummer Stephen Perkins, and bassist Eric Avery will finally get to play an extended run of shows together
In a new archival collection, Jim O’Rourke and David Grubbs have polished and stitched together every scrap and forgotten rarity into one final album, a fitting final chapter for an indescribably great band.
Using inscrutable digital techniques—randomization, automation, perhaps a little black magic—the Bay Area artist makes bewitchingly skewed techno full of tangled loops and mismatched time signatures.
Each Sunday, Pitchfork takes an in-depth look at a significant album from the past, and any record not in our archives is eligible. Today, we revisit a lost downtempo classic from 1993, a dreamy, fascinating chimera of styles and moods…