Fresh off "American Fiction" winning the Oscar for Best Adapted Screenplay, a pair of films that played at TIFF the same year are ready for their awards season moment.
The sixth film in the animated franchise feels like an accidental pitch for the small screen, thanks to an oddly episodic outing that feels better suited to quicker consumption.
Billionaire Barry Diller, formerly chairman of Paramount Pictures, is reportedly exploring a bid, potentially winning control of the conglomerate after Sumner Redstone outbid him.
The Oscar-winning director famously “retired” in 2011, but now he's wrapping the edit on a Cate Blanchett spy movie. At Karlovy Vary, he told IndieWire what made the difference.
Just how big a fan of the Eddie Murphy comedy franchise is this first-time feature director from Down Under? As he tells IndieWire, big enough to know which film to studiously avoid when it came time to make his own.
The Spectacle Every Day: Mexican Popular Cinema festival spans films from the '40s through the '60s, with features from directors Roberto Gavaldón, Emilio Fernández, Julio Bracho, Alejandro Galindo, and Chano Urueta.
Nia DaCosta, "Blair Witch" sequel director Adam Wingard, and other genre filmmakers tell IndieWire about the lasting influence and anxiety of the viral 1999 sensation.