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  • Stories published in last 24 hours

Friday, Apr 19

17

LSO/Antonio Pappano at the Barbican review: the incoming director conjured the richest sounds from the players

www.standard.co.uk

If orchestras were football teams, the LSO would certainly be in the running for the Premier League title

Sunday, Apr 14

14

LSO/Pappano/Balsom review – elephant honks kick off Wynton Marsalis’s trumpet showcase

www.theguardian.com

Beacon, Bristol Soloist Alison Balsom delivered Marsalis’s playful new trumpet concerto with poise, expertise and wit – right down to the animal calls

Friday, Apr 12

13

LSO/Alison Balsom, Barbican review: An astonishing feat of stamina

inews.co.uk

Antonio Pappano has stepped smoothly into Simon Rattle's vacated shoes

Thursday, Apr 11

15

British music, birthdays and building work: LSO announce first season under Pappano

www.theguardian.com

Boulez’s 100th and Rattle’s 70th are among the highlights of the LSO’s new season with chief conductor Antonio Pappano in which British music is a strong thread. The orchestra also announced an £8m redevelopment of LSO St Lukes

Saturday, Mar 9

The week in classical: LSO/ Rattle; The Rake’s Progress; The Flying Dutchman; Elena Urioste and Tom Poster – review

www.theguardian.com

Barbican; Hackney Empire; Royal Opera House; St Mark’s church, London Dread runs through John Adams’s pulsating new short symphony; Stravinsky’s Rake has plenty of company at ETO; Bryn Terfel returns as the mythical Dutchman; and two…

Monday, Mar 4

17

LSO/Rattle review – Adams’ Frenzy debuts but Roy Harris’s Third is the real discovery

www.theguardian.com

Barbican, London In an all-American programme works by composers from Gershwin to an Adams world premiere were superbly presented by Rattle and LSO, with Harris’s 1939 symphony a revelation

12

Simon Rattle/LSO, Barbican review: A fearless all-American triumph

inews.co.uk

Premiering John Adams' 'Frenzy' with lush Gershwin and stormy Harris was inspired

Saturday, Feb 17

15

The week in classical: Marx in London!; The Barber of Seville; LSO/ Stutzmann; RPO/ Petrenko – review

www.theguardian.com

Theatre Royal, Glasgow; Coliseum; Barbican; Royal Festival Hall, London A day in the life of the father of communism is full of laughs in Scottish Opera’s new production of Jonathan Dove’s buoyant farce. Elsewhere, notable house debuts at…

Monday, Feb 12

17

LSO/Stutzmann review – her monumental Bruckner is also light on its feet

www.theguardian.com

Barbican, London Singer-turned-conductor Nathalie Stutzmann presented Bruckner’s unfinished Ninth with his Te Deum, making an eloquent and majestic statement

Saturday, Feb 10

03

Atif Aslam 'flew all the way' to record song for LSO'90's despite being unwell; REVEALS director Amit Kasaria

www.pinkvilla.com

Pakistani singer Atif Aslam is making a Bollywood comeback after a hiatus of seven years, contributing a song to the upcoming film Lovestoryof 90’S (LSO’90). Director Amit Kasaria provided insights into securing Aslam's involvement…

Monday, Jan 29

12

Elijah review – LSO and Pappano make it big, bold and beautiful

www.theguardian.com

Barbican, London Antonio Pappano conducted the London Symphony Orchestra, Chorus and an excellent lineup of soloists in this superbly detailed and rousing performance

Monday, Dec 11

16

LSO/Noseda review – Prokofiev’s curious Fourth alongside very fine Brahms

www.theguardian.com

Barbican, London Gianandrea Noseda and the LSO made a strong case for the 1947 version of Prokofiev’s Fourth symphony, and Simon Trpčeski was an insightful and elegant soloist in Brahms’s second piano concerto

10

LSO/Noseda/Trpčeski at Barbican Hall review: a dazzling rendition of Prokofiev's forgetten work

www.standard.co.uk

Rarely does this concerto get the outing it deserves, but Noseda coaxes magic from the music

Friday, Nov 24

15

LSO/Ward review – soaring and accomplished, Faust resisted flashy indulgence

www.theguardian.com

Barbican, London In Bartók and Chausson, violinist Isabelle Faust was elegant and expressive, and conductor Duncan Ward brought colour and focus to orchestral showpieces by Debussy and Janáček

Saturday, Oct 14

14

The week in classical: Cumnock Tryst; LSO: A Dance to the Music of Time

www.theguardian.com

Cumnock, Ayrshire; Barbican Centre, London James MacMillan’s inspiring four-day festival brings together top-class professionals and local performers, and Antonio Pappano gives the Barbican a tantalising taster

Monday, Oct 9

15

LSO/Pappano review – Kopatchinskaja dazzles and ravishes in Say’s Violin Concerto

www.theguardian.com

Barbican, London Fazil Say’s theatrical ‘1001 Nights in the Harem’ was terrific fun, played with exhilarating precision by the LSO and soloist Patricia Kopatchinskaja. Rachmaninov of drama and power ended a concert full of colour

Thursday, Oct 5

LSO/Pappano review – drama, colour and fun as orchestra embraces the new

www.theguardian.com

Barbican, London Wheezing harmonicas and tinkling music boxes enliven Hannah Kendall’s elemental new work, while Alice Sara Ott gave a barnstorming account of Liszt’s Totentanz in a programme masterfully led by the London Symphony…

13

LSO/Pappano at the Barbican review: the Covent Garden maestro steps into Simon Rattle’s shoes

www.standard.co.uk

This marked Sir Antonio Papano’s first concert as chief conductor designate of the London Symphony Orchestra

Thursday, Sep 21

17

MEF to Host GNE, LSO Global Summit October 2-4, in Dallas, Texas

www.benzinga.com

WHAT: GNE will showcase the latest developments and roadmaps for NaaS, an industry model designed to help enterprises achieve business outcomes without owning, building, or maintaining their own infrastructure. The LSO Global Summit will…

Friday, Sep 15

18

LSO/Hannigan review – season opens with haunting Vivier and superb Strauss

www.theguardian.com

Barbican, London The London Symphony Orchestra’s associate artist Barbara Hannigan conducted a programme that mixed mainstream repertoire by Haydn and Strauss with less familiar music from the second half of the 20th century.