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filmmakermagazine.com

Neděle, 19. 5.

20

“We Wanted to Film These Beige Structures the Way Terrence Malick Films a Sunset”: Director Matthew Rankin on the Canadian/Iranian Interzone of his Cannes-Premiering Universal Language

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There are plenty of North American filmmakers influenced by the giants of international cinema. These filmmakers import stylistic references, different tones and rhythms, perhaps key collaborators, such as a cinematographer, to films that…

16

“It’s Very Important, When You’re Choosing Actors, To Make Sure They Possess Something That Remains Almost Unknown”: Director Constance Tsang on Her Cannes-Premiering Blue Sun Palace

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Blue Sun Palace, Constance Tsang’s first feature, is a migrant story that’s vividly attuned to the temporal and emotional dislocation of those stranded far away from home. Set in Flushing, Queens—where the director grew up—the film follows…

“I’ve Always Been Interested in Making My Own Version of Goodbye Dragon Inn: Director Carson Lund on His Cannes-Premiering Eephus

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“Please stop me if any of the terms don’t make sense.” A few days before his feature debut, Eephus, will premiere in the Directors’ Fortnight, Carson Lund is sitting on a rooftop terrace in Cannes and worrying I may not catch all the…

Sobota, 18. 5.

21

“The Fact That It’s Thermal Imagery, It Hits Memory in a Different Way”: EDGLRD Creative Director Joao Rosa on Harmony Korine’s Visionary AggroDr1ft

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Harmony Korine’s AggroDr1ft unfurls through sheets of kaleidoscopic color — neon shades of gold, aqua and red — that ripple and pulse, achieving almost an intelligence of their own as they add expressionistic textures to the film’s Miami…

18

Sartorial Losses and Nervous Excitement: Producer Stephanie Roush’s’ Cannes Diary #1

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I somehow lost my Sundance 2024 hat before arriving in Cannes. I was forced to take it off for the automated passport control in Paris, as it would’ve obscured my face too much for the fancy camera technology that only worked for about…

Pátek, 17. 5.

16

Cannes 2024: Megalopolis

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Now that Megalopolis has premiered, nothing has actually changed. The film is a self-consciously impractical act that few would care nearly as much about if it weren’t very publicly known to have cost $120 million of Francis Ford Coppola’s…

Čtvrtek, 16. 5.

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Cannes 2024: The Second Act, An Unfinished Film and Wild Diamond

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“Last year, as you know, we had a few polemics,” admitted Cannes General Delegate Thierry Fremaux at the opening of the 77th edition on Tuesday. “This year we decided to host a festival without polemics to make sure that the main interest…

18

“We Question Together Hyper-Masculinity in Life as Well As In the War Movie Genre”: Roberto Minervini on The Damned

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In The Damned, Roberto Minervini embeds us with Union Army soldiers ranging across the Western front in 1862, far from the battlegrounds in the East but no less at risk. But when you direct a Civil War movie in 2020s America, it can be…

16

Cannes 2024: This Life of Mine, On Becoming a Guinea Fowl

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At dinner my first night at this year’s Cannes, a friend asked our waiter if this was his restaurant’s busiest time of year. Not even close; that would be MIPIM, “the world’s leading real estate market event,” taking place in March and…

Středa, 15. 5.

23

“You Have to Make it All Personal”: Tom Pelphrey, Back To One, Episode 291

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Since he was last on the podcast (Ep. 112), Tom Pelphrey has been nominated for an Emmy for his work on Ozark, he’s had juicy roles on Outer Range and David E. Kelly’s Love and Death, and now Kelly has given Pelphrey perhaps his most…

18

15 Films Not to Miss at the 2024 Cannes Film Festival

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Amidst wi-fi and cellular outages, a threatened workers’ strike, and dialogue around the #MeToo movement in France, the 77th edition of the Cannes Film Festival is underway. For Filmmaker, Vadim Rizov and Blake Williams are both back with…

17

Festival Report: The 2024 Maryland Film Festival

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Baltimore filmmakers and audiences commingled in and around the historic Parkway Theater at the physical center and symbolic heart of the city from May 2 – 5 for the 25th anniversary edition of the Maryland Film Festival (MdFF). When MdFF…

Úterý, 14. 5.

20

Nominees Announced for Inaugural Gotham TV Awards

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The Gotham Film & Media Institute, Filmmaker‘s parent organization, announced today the nominations in seven competitive award categories for the inaugural Gotham TV Awards, recognizing a range of series, including Baby Reindeer, Ripley,…

Watch: An Exclusive Clip from Alison O’Daniel’s Independent Lens Premiere, The Tuba Thieves

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Artist and filmmaker Alison O’Daniel appeared on Filmmaker‘s 25 New Faces list in 2019 as her feature The Tuba Thieves, screening next week on Independent Lens, moved from stop-and-start production — she had been shooting the film in “bits…

17

“You Can’t Go Into Your Hometown and Not Shoot Cinemascope”: Writer/Director Adam Rehmeier on His Early ’90s Nebraska-Set Comedy, Snack Shack

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The logline for Snack Shack—two teenaged best friends spend the summer of 1991 working at a community pool food stand and get up to shenanigans—suggests a hyper-generic “one crazy summer”-type coming-of-age flick, but the film…

03

Critic’s Notebook: Monica Sorelle’s Miami-Set Debut, Mountains

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Monica Sorelle’s debut feature Mountains is currently screening at the Seattle International Film Festival, with its final screening tomorrow, May 14, and then on the festival’s streaming platform from May 20 – 27. Mountains, the debut…

“How Do I Capture the Storytelling That is Quintessential to South America, and Marry It to the Experience of Living Here

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In The Conference of the Birds, the famous Persian epic written in 1177 by Sufi poet Farid ud-Din Attar, a group of birds gather and discuss their collective journey to meet their king, the Simurgh, a mythical winged creature. In this…

Pondělí, 13. 5.

20

Jeonju 2024: Walker, A Chronicle in Spirals, Puan

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“I’m so happy,” producer Park Tae-joon said at the Jeonju Cinema Project awards, one of the ceremonies indicating the festival was drawing to a close. “Every day I drank […] festival drinking.” Park’s admission was funny and honest, the…

Pátek, 10. 5.

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MEMORY Announces Summer Theatrical and Digital Release Dates for Microbudget Pandemic Comedy New Strains

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MEMORY, the L.A.-based production and now distribution company featured in Filmmaker‘s 2016 25 New Faces list announced today the release plans for New Strains, a microbudget, camcorder-shot pandemic comedy from a pair of filmmakers,…

19

“When We First Started It Was a Variation of the Salon des Refusés…”: Slamdance President Peter Baxter on Accessibility, Community and Moving to L.A.

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Slamdance announced last week that the Slamdance Film Festival will move from Park City, Utah, where it’s been since its founding in 1995, to Los Angeles beginning with next year’s edition. The dates will shift slightly to February 20-26,…

16

“Dolly and Slider Inside, Steadicam Outside”: DP Mac Fisken on The Last Stop in Yuma County

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In The Last Stop in Yuma County, an empty pump at an isolated desert gas station strands a collection of characters (including a pair of bank robbers and knife salesman Jim Cummings) at the adjoining roadside diner. Written around the…

Čtvrtek, 9. 5.

20

Jeonju International Film Festival: Cutting-Edge Films in an Ancient Capital

Jeonju International Film Festival, which has become over the last two decades one of the must-go fests in East Asia, prides itself on its innovative curation. The 25th edition in 2024 was packed with film folk, especially from East and…

17

Euro Division: Hot Docs 2024

This year’s 31st edition of Hot Docs (April 25-May 5) was chockfull of drama, both onscreen and off. And while there were no protests (such as at IDFA) nor riot police dispatched (see Thessaloniki) there was quite an upheaval in the run up…

16

Jeonju 2024: Cinema Projects Past and Future

It’s not necessarily that, in a pathetic version of Henry Hill’s childhood desire to be a gangster, I’ve “always wanted to attend a pitch forum.” But I’ve admittedly been curious to see how this particular part of the festival-film…

Středa, 8. 5.

20

“This Is a Safe Space for People Who Are Against Genocide, And Who Want to See a Liberated Future for All”: Inney Prakash Previews Prismatic Ground 2024

Returning for its fourth edition, the experimentally-focused Prismatic Ground film festival will once again host a series of screenings across several NYC theaters and via a free streaming platform. Running from May 8 through 12, the…

19

The American Pavilion Announces 2024 Emerging Filmmaker Showcase

The American Pavilion announced today the 36 short films selected for its 2024 Emerging Filmmaker Showcase, sponsored this year by the non-profit Gold House. From the press release: The 2024 showcase features 36 official selection films in…

17

“It’s About the Energy You Bring to the Life of Your Movie, Not Just About the Movie Itself”: Al Warren on Dogleg’s Six-Year Journey

“I love the feeling of the room in a packed house watching a good movie,” says writer, director and actor Al Warren on the phone from Los Angeles. “I want to model my career on that. It’s become a priority for how I approach my work. How…

16

“We Were Together 24 Hours a Day for Six Weeks”: Bill and Turner Ross on Gasoline Rainbow

Gasoline Rainbow, the seventh feature by Bill and Turner Ross, marks a return to a world of young people familiar from the brothers’s early efforts 45365 (2009) and Tchoupitoulas (2012), which centered, respectively, on residents of Sydney…

Úterý, 7. 5.

22

AI, UHD and 35mm: Arbelos Films’ David Marriott on the Present and Future of Film Restoration

Launching in 2017 with a reissue of The Last Movie, Arbelos Films grew out of co-founders’ David Marriott, Dennis Bartok, Craig Rogers and Ei Toshinari’s experiences working at Cinelicious Pics. Since then, their slate of reissues have…

19

“When Acting Really Became Fun for Me Was When I Stopped Worrying So Much About the Audience”: Mia Vallet, Back To One, Episode 290

Over the past year and a half, no actor in any medium has given me more inspiration through their work than Mia Vallet. As a company member and frequent performer at the exciting NYC “loft theaters” Adult Film and The Brooklyn Center for…